This economic and political situation in turn created a number of paradoxes around the
German cinema(s) of the 1950s and 1960s, the 1970s and 1980s that require a
'revisionist' approach to film history, if they are to remain more than paradoxes. The
New German Cinema of the 1970s and early 1980s, for instance, has been celebrated as
an extraordinary flourishing of talent, but on closer inspection, the renaissance was
short-lived, the films technically primitive, the market-strategies naive, while the
efflorescence of creativity had its roots in governmental subsidy. At first praised the
world over, the films failed to build...
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F23 Digital Cinema Camera
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