The rest of this paper is structured as follows: Section 2 sets both
alternatives against a more detailed history of innovation and the
emergence of cinema consumption, sharpening our sense of both the
technology aspect and the lag between technical possibility and take-off.
In section 3 the available data sources relevant to understanding how the
consumption of cinema grew are identified and analyzed in depth, and
national differences decomposed in those due to technology and those
due to taste. Section 4 further investigates the demand-led explanation of
the emergence of cinema by locating it within the changing demand for
recreational...
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POPULAR CINEMA OF THE THIRD REICH
POPULAR CINEMA OF THE THIRD REICH
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