SI-2K Digital Cinema Camera
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Thông tin tài liệu:
The first part, entitled ‘The replacement of
painting by cinema’, shows how the comparison between painting and cinema reexamines
crucial questions of aesthetics such as the pregnant instant and the crisis of the frame. The
second part, ‘A saturation of glorious signs’ begins by questioning the sublime side of
Antonioni’s cinema before operating a turnaround showing that cinema, at its limit,
rediscovers the essence of painting: acheiropoietos images in Godard’s cinema, icons for
Tarkovski. The sublation becomes that of cinema by itself. ...
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