Between Irish National Cinema and Hollywood: Neil Jordan's Michael Collins
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This is a moment when an older fascination with
looking (at the mother's face, for an obvious example) collides with the initial
inklings of self-awareness. Hence it is the birth of the long love affair/despair
between image and self-image which has found such intensity of expression in film
and such joyous recognition in the cinema audience. Ouite apart from the extraneous
similarities between screen and mirror (the framing of the human form in its
surroundings, for instance), the cinema has structures of fascination strong enough
to allow temporary loss of ego while simultaneously reinforcing the ego. The sense of...
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