The paradox of phallocentrism in aIl its manifestations is that it depends on the
image of the castrated woman to give order and meaning to its world. An idea of
woman stands as lynch pin to the system: it is her lack that produces the phallus as
a symbolic presence, it is her desire to make good the lack that the phallus signifies.
Recent writing in Screen about psychoanalysis and the cinema has not sufficiently
brought out the importance of the representation of the female form in a symbolic
order in which, in the last resort, it speaks castration...
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KON THE CINEMA OF CAMBODIA
KON THE CINEMA OF CAMBODIA
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